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Rachel Lee & Mehar Maju: Steel Reserve

At first glance, I noticed how clean the image is. It is clear, with a bright blue background. I was impressed by how clean it is. The critical commentary draws focus to the "trash" on the clean surface and to glimpses of the freeway underneath; however, even the trash (the tin can) is shiny and it's hard to see past the cleanness of the image. 

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