I think some of the metaphor of having to really search the photo for the settlers actually is part of the ethnographic import of the image, but another tactic could be to actually blur the home, the picket fence, and everything in the photo except the settlers, actualling landing the focus on the people themselves. This might represent what you’re trying to do with the project as a whole. So it would be a sort of reversal of what is being portrayed in the photo now.
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