Source
<p><a href="https://journal.culanth.org/index.php/ca/article/view/ca32.4.03/187">https://journal.culanth.org/index.php/ca/article/view/ca32.4.03/187</a></p>
Contributor(s)
Critical Commentary
<p>This is a short and very evocative piece by Elizabeth Povinelli. I was reminded of it in today's conversation about disposable lives/cameras, and later by the comment on (synthetic) colors and toxins. In the article, Povinelli talks about the fumes and toxic materials released by the Kodak factory, which was near her hometown.</p><p>She entangles Kodak's toxic production and narratives about that toxicity with the decline of the film industry and the profitable remediation industry.</p><p>My questions: <em>when</em> do buried toxic materials and stories about their toxicity emerge and why? <em>When</em> are they made public, exposed? Who benefits from such exposés and from grievances and remediation processes?</p>