Source
<p><span>Bishop, C., 2012. </span><i>Artificial hells: Participatory art and the politics of spectatorship</i><span>. Verso Books.</span></p>
Contributor(s)
Critical Commentary
<p><em>Artificial Hells </em><span>is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. </span></p>